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DWP - Sights and Sounds

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Sights & Sounds

Mr. Wallace's Work: 

Kerberos for Solo Snare Drum by Sydney Hodkinson
(live performance by Doug Wallace)

G-Spot Tornado by Frank Zapppa / arr. Doug Wallace
(performed by the Battery Four Percussion Group - Ted Atkatz, Bretton Hunter, Matthew Strauss, and Doug Wallace)

Assez vif et bien rythmé from Debussy's String Quartet in G Minor
arr. Matthew Strauss and Doug Wallace
(performed by the Battery Four Percussion Group - Paul Fadoul, Matthew Strauss, Doug Wallace, and Cynthia Yeh)

Concerto for Timpani and Wind Ensemble by Ney Rosauro
(live performance by Doug Wallace and the McLean High School Symphonic Band)

Maresea by Susan Forrest Harding (excerpt)
(Doug Wallace and the Battery Four Percussion Group perform the brilliant and colorful quartet) 

Idyll for the Misbegotten (excerpt) by George Crumb
(performed by Doug Wallace, Robert McEwan, Glenn Paulson, and Tanya Dusevic at The Juilliard School in December of 1994 .

Triplets by George Hamilton Green
(performed by the Battery Four Percussion Group, this clip captures the essence of ragtime xylophone music made popular in the early to mid 1900's)

Mr. Wallace's Students' Work:

7511 for Marimba Duet  by Michael Roberts
(performed by former students Michael and Eric Roberts)

#12 from Douze Études by Jacques Delécluse (excerpt)
(performed by student Kennan Murphy-Sierra)

XXIV from The Solo Timpanist by Vic Firth (excerpt)
(performed by student Kennan Murphy-Sierra)

Watch the American Youth Percussion Ensemble in performances of Doug Wallace's composition Chimera and Joe Green's ragtime standard Xylophonia.  The American Youth Philharmonic Percussion Ensemble is Directed by Mr. Wallace...

Testimonial

I have seen Mr. Wallace work with school-aged percussionists for many years, and I have never seen anyone consistently produce more well-rounded, fundamentally strong percussion students than he.  He has developed numerous successful percussion programs, but what is so striking about his teaching is that all of his students, regardless of their natural ability, develop the fundamental skills and security to become effective and confident players.
J.D. Anderson, American Youth Concert OrchestraView Testimonials

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