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Doug Wallace Percussion - Compositions

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Compositions & Arrangements

Piece and Instrumentation
Year
Publisher
Sample

Chimera
Trio for Marimba, 5 Timpani, Drum Set, Concert Bass Drum, Bongos, 2 Splash Cymbals, 2 Woodblocks, Brake Drum, Large Tom Tom, Tam Tam, Cowbell, Guiro (Parts can be split and effectively performed as a quartet or quintet)

2008DWP  

Laideronette, Empress of the Pagodas
from Mother Goose Suite by Maurice Ravel

Quartet arrangement for Glock, Xylophone, Marimba and Vibes 

2007DWP 

Laideronette, Empress of the Pagodas
from Mother Goose Suite by Maurice Ravel

Quartet arrangement for Glock, Xylophone, Marimba and Flute 

2007DWPListen

The Black Page by Frank Zappa
Arranged for 3 Percussion, Cello and Violin 

2007DWP 

The Black Page by Frank Zappa
Percussion Quartet

2007DWP Score

Samba da Janta
8 Percussionists at a Dinner Table Setting 

2006DWPWatch

Silhouette for Percussion Septet
Percussion Ensemble for 7 Players
Available in the book Percussion With Class

2005FJH 

The Magic Flute by W.A. Mozart
Arranged for 6 Percussionists
Available in the book Percussion With Class

2005FJH 

The Magic Flute by W.A. Mozart
Quartet arrangement for Glock, Xylophone,
Marimba and Vibes
Available in the book Percussion With Class

2005FJH  

G-Spot Tornado by Frank Zappa
Arranged for 7 Percussionists and Electric Bass

2005BMP Listen

Radiohead Suite for Percussion Trio
No Surprises and Everything in It's Right Place arranged for Percussion Trio

2008
DWP Score

Piseco Lake
Quintet for 3 Percussionists, Cello and Tenor Saxaphone

1998 DWP 

Assez vif et bién from Debussy's String Quartet in G Minor Opus 10
Arranged for 4 Marimba Players on 3 Marimbas

1997 DWP Listen 

G-Spot Tornado by Frank Zappa
Arrangement for Percussion Quartet and Electronic Tape

1995 None Listen 

Adagietto from Symphony No. 5 by Gustav Mahler
Trio arrangement for Marimba, Violin and Piano

1992DWP 

Bonzo for Two
Duet for Percussion and Drum Set

1990 DWP 

Testimonial

I have seen Mr. Wallace work with school-aged percussionists for many years, and I have never seen anyone consistently produce more well-rounded, fundamentally strong percussion students than he.  He has developed numerous successful percussion programs, but what is so striking about his teaching is that all of his students, regardless of their natural ability, develop the fundamental skills and security to become effective and confident players.
J.D. Anderson, American Youth Concert OrchestraView Testimonials

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